How Did Humans Become So Creative? A Computational Approach
نویسندگان
چکیده
This paper summarizes efforts to computationally model two transitions in the evolution of human creativity: its origins about two million years ago, and the ‘big bang’ of creativity about 50,000 years ago. Using a computational model of cultural evolution in which neural network based agents evolve ideas for actions through invention and imitation, we tested the hypothesis that human creativity began with onset of the capacity for recursive recall. We compared runs in which agents were limited to single-step actions to runs in which they used recursive recall to chain simple actions into complex ones. Chaining resulted in higher diversity, open-ended novelty, no ceiling on the mean fitness of actions, and greater ability to make use of learning. Using a computational model of portrait painting, we tested the hypothesis that the explosion of creativity in the Middle/Upper Paleolithic was due to onset of contextual focus: the capacity to shift between associative and analytic thought. This resulted in faster convergence on portraits that resembled the sitter, employed painterly techniques, and were rated as preferable. We conclude that recursive recall and contextual focus provide a computationally plausible explanation of how humans evolved the means to transform this planet.
منابع مشابه
Symptoms, Ways of Transmission and How to Prevent Monkeypox Virus
Introduction: Monkeypox is a double-stranded virus of the genus Orthopoxvirus, which is transmitted by animals to humans. Monkey pox is a double-stranded virus of the orthopoxvirus genus that is transmitted to humans by animals. So far, two main species of monkeypox have been identified in West Africa and the Congo Basin. The way the monkeypox virus spreads is often through respiratory particle...
متن کاملHuman-Robot Interaction with Embodied Creative Systems
As we develop interactive systems involving computational models of creativity, issues around our interaction with these systems will become increasingly important. In particular, the interaction between human and computational creators presents an unusual and ambiguous power relation for those familiar with typical humancomputer interaction. These issues may be particularly pronounced with emb...
متن کاملشهرهای خلاق:رویکردی فرهنگی در توسعه شهری
Creative cities: a cultural approach in urban development Extended abstract 1- Introduction The main issue of the competition is attracting ideas in globalization and information era and cities as centers of nurturing and attracting ideas have central role in this competition. Thus, cities try to provide conditions for appearance of initiatives, innovation and creativity of its residents als...
متن کاملParadoxes, Principles, and Prospects for the Future of Creative Cognition
The contributing authors to this book have addressed, and in many cases clarified or resolved, some of the major issues and controversies that have surrounded the subject of creativity. In doing so, they demonstrate the value of the creative cognition approach (Finke, Ward, and Smith 1992), showing that creativity can be better understood if it is studied in the context of contemporary cognitiv...
متن کاملCreativity and Innovation as a New Approach in Human Capital
This question has always been put forward in the mind of curious people why some countries have developed termed in spite of very few natural resources and facilities while other countries have not developed in spite of having more suitable resources and facilities. Various factors such as economy, culture, geography, etc. are perhaps a background to answer this question, but there is a more im...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
عنوان ژورنال:
دوره شماره
صفحات -
تاریخ انتشار 2012